ᾄδω
Non-contract Verb;
이형
Transliteration:
Principal Part:
ᾄδω
ᾄσω
ᾖσα
ᾖσμαι
ᾔσθην
Structure:
ᾴ̓δ
(Stem)
+
ω
(Ending)
Sense
- Alternative form of ἀείδω (aeídō, “I sing”)
Conjugation
The inflection forms above were generated by rules and some usages of them were not attested.
Due to a bug of system, some forms may display wrong accents.
- πλὴν ἀλλ̓ ὁ μὲν ἑώθεν ἀπεληλύθει τοῦ ἀλεκτρυόνοσ εὐθὺσ ᾅσαντοσ ἀνεγρόμενοσ, ἐγὼ δὲ ἐμεμνήμην ὅτι κατὰ τοίχου τινὸσ ἔλεγε καταγεγράφθαι τοὔνομα ἐν Κεραμεικῷ· (Lucian, Dialogi meretricii, 3:3)
- ’ ᾄσαντοσ δέ τινοσ, ἤρετο τίνοσ τὸ μέλοσ, εἰπόντοσ δ’ ὅτι Καρκίνου, ’ πολύ γε μᾶλλον ἔφη, ’ ἢ ἀνθρώπου ἐν Μαρωνείᾳ δ’ ἔφη οὐ γίνεσθαι ἐάρ, ἀλλ’ ἀλέαν. (Athenaeus, The Deipnosophists, Book 8, book 8, chapter 45 1:2)
- εἶτα μέντοι συνουσίασ γενομένησ τῶν ἡγεμόνων παρὰ πότον, καί τινοσ Φωκέωσ ᾄσαντοσ ἐκ τῆσ Εὐριπίδου Ἠλέκτρασ τὴν πάροδον ἧσ ἡ ἀρχή Ἀγαμέμνονοσ ὦ κόρα, ἤλυθον, Ἠλέκτρα, ποτὶ σὰν ἀγρότειραν αὐλάν, πάντασ ἐπικλασθῆναι, καὶ φανῆναι σχέτλιον ἔργον τὴν οὕτωσ εὐκλεᾶ καὶ τοιούτουσ ἄνδρασ φέρουσαν ἀνελεῖν καὶ διεργάσασθαι πόλιν. (Plutarch, , chapter 15 3:1)
- λύκοσ γὰρ ὥστ’ ὠμόφρων ἄσαντοσ ἐκ ματρόσ ἐστι θυμόσ. (Aeschylus, Libation Bearers, choral, antistrophe 63)
- Σόλων ὁ Ἀθηναῖοσ, Ἐξηκεστίδου παρὰ πότον τοῦ ἀδελφιδοῦ αὐτοῦ μέλοσ τι Σαπφοῦσ ᾄσαντοσ, ἥσθη τῷ μέλει καὶ προσέταξε τῷ μειρακίῳ διδάξαι αὐτόν. (Unknown, Elegy and Iambus, Volume I, , section48)
Derived
- ἀπᾴδω (to sing out of tune, be out of tune, to dissent)
- ἐξᾴδω (to sing out, sing one's last song, to sing of)
- κατᾴδω (to sing to, to charm or appease by singing, to sing a spell or incantation)
- περιᾴδω (to go about singing)
- προᾴδω (to sing before, prelude)
- προσᾴδω (to sing to, to sing the songs, to harmonise)
- συνᾴδω (to sing with or together, to be in accord with, to celebrate together)
